The Hudson Company + Ashley Seil Smith

New York based artist Ashley Seil Smith

“I like the warmth and texture inherent in the Reclaimed Heart Pine flooring, there’s a lot of character and line variation within the grain, which I think complements the line work in my drawings.”

— Ashley Seil Smith

The artist at work.

The Hudson Company + Ashley Seil Smith

Ashley Seil Smith is an artist based in Manhattan, New York with a studio in the lower Hudson Valley.  She has a background in cultural anthropology but earned an MFA in Illustration as Visual Essay from the School of Visual Arts.  In 2012 she cofounded The Period Store and eventually sold it in 2015 to focus on editorial illustration, fine art, and teaching. Ashley's commercial clients include Google, Case Agency, Forbes, Oyster Books, Isthmus, and various academic journals and nonprofits. The artist lives, and often works, in Manhattan, but escapes to the Hudson River and her studio near Bear Mountain whenever she can. In addition to freelance, commissioned, and fine art work, Ashley teaches art to a variety of ages around Manhattan with Scribble Art Workshop.

The Hudson Company first discovered Ashley's work via her inspiring Instagram feed which is, like her work, full of whimsical observations of both the natural and built environments. It would be easy to peruse Ashley's work - particularly her pen and ink drawings and ethnographic prints - and see it as simplistic. But we think that it is precisely this deceptive simplicity that is so intriguing about Ashley's work. In our opinion, there is a timeless, reflective beauty in her (often small scale) drawings as well as an exotic mystique to her prints and graphic design work.

This summer we reached out to Ashley and asked her to allow us into her creative process. Along with the insights below, Ashley was also kind enough to create a custom mood board for us, using Reclaimed Heart Pine [Original Face] as her backdrop. 

5 Questions with Artist Ashley Seil Smith

Tell us about the tools that you've included in your mood board, what's their origin story? 

I enjoy collecting older tools that can actually be used in my art practice.  Some of them were picked up at antique stores across the United States (particularly along the Hudson River Valley, where my studio is), others I inherited from my grandma, who dabbled in art and was a wildly creative person.  A lot of older tools were designed beautifully, simply, and with quality material, so using them is an esthetic and practical as well.  My rulers are my favorite tools - natural material with interesting designs and stories to tell.

How do you use mood boards in your work? What role do they play in your creative process?

Mood boards keep things concise - I believe "good" mood boards have some parameters - a limit on how much you can add, so it forces you to think through what really inspires you and why.  So much of creativity is about making decisions, and a mood board helps you identify specific things you like or aim for in your own work.

I always keep a small collection of images on a folder in my desktop, and these act as a general mood board for my work, which spans across many mediums.  They are images that I truly love and that inspire me in some way, whether it's the color palette, technique, concept, or the way the image makes me feel.  I go through my little desktop mood board about once a month and always end up editing something out and adding other things that I like better.

There are so many places to go for inspiration these days, where do you go to get inspired?

I like going to places that set my aesthetic standard pretty high, and since I live in Manhattan, I have the opportunity to visit museums fairly often - the Met, MoMA, or Museum of Natural History are some favorites.  If an art exhibit inspires me I always buy the exhibit catalogue, so I have a nice collection of art books started and I refer to them when I'm in a rut.

Other than museums, I also turn to creative sources I trust, like The Great Discontent, and I see a lot of wonderful work on Instagram and Pinterest.  Pinterest, in particular, is great when I'm doing initial research for a project.  And, like many artists, I find a great deal of inspiration in nature. If I'm not working, I'm likely walking outside with my dogs or out for a trail run or hike around Inwood Hill Park.

What can you tell us about the drawing you included in your mood board: was that an original for this mood board or something you created separately? 

This particular ink drawing was done at the beginning of the year and was inspired by Yosemite National Park. I find myself drawing a lot of scenes from places I love or that inspire me. As you can tell, I enjoy the simplicity of pen and ink as well, it's a simple medium that's good for travel, so a lot of my ink drawings are done on location.

Why did you chose this particular Hudson Company flooring as the background for mood board?

I like the warmth and texture inherent in the Reclaimed Heart Pine flooring, there's a lot of character and line variation within the grain, which I think complements the line work in my drawings. I'm a big fan of Hudson Company flooring - you manage to cover all parts of the spectrum, from rustic to modern to classic and beyond.  Natural textures paired with modern design inspire me, which is one of the reasons I started following Hudson Company on various social medium platforms. 

You can learn more about Ashley's work on her website and you can follow her creative journey on Instagram. All above photos are taken from Ashley's website or Instagram feed. All mood board photos by Gentl and Hyers. 

Learn more about Reclaimed Heart Pine [Original Face] here. 

Mood board by Ashley Seil Smith for The Hudson Company

INSPIRED BY: FURNITURE DESIGNER ASHER ISRAELOW

The Ø Chair by Asher Israelow

Serving trays, black walnut and brass.

Handcrafted Furniture for the 'Modern Explorer'

One of the best things about participating in national design fairs is the exposure we get to talented designers and makers. One of these such craftsmen is Brooklyn-based furniture designer Asher Israelow, whose work is featured as a part of the FAIR showroom collection, curated by interior designer Brad Ford. Israelow's design studio produces all original and small batch furniture pieces designed to last for generations.

And it goes without saying, that the more familiar we get with Asher's work, the more inspired we are. As a graduate of Rhode Island School of Design (RISD), with degrees in art and architecture, Israelow incorporates a strong architectural aesthetic into his creations. In his chairs and tables, there is a kind of clear structural strength as well as a streamlined elegance. His pieces are never 'heavy' and, yet, they carry weight. According to his own website, each piece of Israelow's work, "narrates the story of its materials, creating innovative and precise designs with a timeless aesthetic." We totally agree; there is a definite timelessness to these pieces - they could be just as at home in a 21st-century Manhattan penthouse as they would be in a mid 20th-century Danish hotel designed by Arne Jacobsen. 

Another element of the designer's work that we admire is how he sources the material for his furniture, "all the materials [we use] are ethically and locally sourced, building upon the importance of origins." And, on top of all this, we love to see makers like Asher taking advantage of the many beautiful varieties of walnut in their work - which is one of our favorite species. With such a thoughtful ethos toward timelessness, durability, and sustainability in mind, it's not hard to see why The Hudson Company is quickly becoming big fans of Asher's stylish furniture.

You can learn more about the designer and his work by visiting his website and by following Asher on Instagram.

All photos from www.asherisraelow.com.

The 'Miner Table' in maple

The 'Contour Bed'

Anamorphic Console in walnut and brass

Chairs from 'The Lincoln Collection'

'Dante Table' in walnut

Asher Israelow

Detail from 'Serenade Series' table

All photos from www.asherisraelow.com.

The Hudson Company + FAIR at Collective Design Fair 2016

FAIR Showroom, NYC.

The FAIR exhibit space at Collective Design Fair 2016.

the right balance of artistry and thoughtfulness

The designer behind FAIR is New Yorker Brad Ford. 

Back in October, 2014, Ford organized a modern makers craft fair in upstate New York called Field + Supply. The focus of that fair was on modern, elevated craftsmanship showcasing artisans from the Hudson Valley area as well as makers who work in New York City and Brooklyn. FAIR is an extension of that concept and is now a permanent showroom at the New York Design Center. It is more edited and elevated than the original event upstate, but the focus remains on high-end, handcrafted design and craft. Many of the same designers who showed their work at Field + Supply are represented at FAIR and several of them are craftspeople that Ford has worked with over the years on his own high-end design projects.

With FAIR, Ford's emphasis is on the people behind the products, “I have established relationships with a lot of these artists and know how beautifully executed their workmanship is. They have the right balance of artistry and thoughtfulness so there’s a timelessness to their work which I think has a lot of value. For me, their work should be considered future heirlooms that will last for generations.”

THE HUDSON COMPANY & FAIR

Whether he is collecting bespoke furniture, lighting, textiles, or ceramic objects for the FAIR showroom, Ford's has established an aesthetic that fits well with The Hudson Company's own design values.

So, we were proud to collaborate with Brad for this year's Collective Design Fair in NYC. As a part of FAIR's exhibit space at CDF, Ford incorporated Hudson Company Select Harvest White Oak [French Cut, Bare Finish] flooring, as a contrast to the glossy white concrete of the event space flooring.The end result was an exhibit space that felt warm, clean, welcoming, and modern - all adjectives that clearly describe what FAIR is all about. 

Click here to learn more about Hudson Company Select Harvest White Oak [French Cut, Bare Finish] or contact us for a quote for your next design project. 

Hudson Company Select Harvest White Oak [French Cut, Bare Finish] floors used by designer Brad Ford at Collective Design Fair 2016.

Interior design by Brad Ford.

Designer Brad Ford.

The Hudson Company + ASH NYC at Collective Design Fair 2016

Collective Design Fair 2016, VIP Lounge by ASH NYC.

The Hudson Company + ASH NYC 

Over the past five years, we've watched as ASH NYC has made a name for themselves in New York's competitive design community. In that time, ASH NYC has grown from five to twenty five team members and has gained a reputation as an innovative and bespoke urban design shop that's right at the cutting edge of what's happening today - in interior design as well as in development, staging, and furniture and object production.

This past year, The Hudson Company had the opportunity to meet up with ASH NYC and share the story behind our brand and sustainably-milled products lines. One thing led to another and, before long, ASH NYC was incorporating Hudson Co. Reclaimed Heart Pine [Chalk Finish] into one of their residential design projects. 

'OFFICE SPACE' Lounge BY ASH NYC

Not long after that, ASH NYC was asked to design a piece for the 2016 Collective Design Fair VIP lounge. From the design brief, the designers' developed a concept they called, "Office Space." Here's how they explained their final concept:

"Employing office culture as a conceptual framework for the VIP Lounge at Collective Design 2016, OfficeSpace conflates the banal - cubicles, dropped acoustic panels and ready made office furnitures with the exuberant - art and design. For moments of rest from the chaos, we would like to invite visitors to mingle and relax by the proverbial water cooler."

To help reach their overall design objectives, ASH NYC turned, once again, to The Hudson Company's Reclaimed Heart Pine [Chalk Finish] for the custom, one of a kind conference table they crafted for the VIP lounge's (see above and below).

The result of our collaboration with ASH NYC was both very satisfying and very inspiring - to see the Reclaimed Heart Pine [Chalk Finish] used for a furniture build out was such a creative contrast to how Chalk is best known, as the flooring installed at the new Whitney Museum of American Art. 

Bravo to the whole team at ASH NYC on their success at Collective Design Fair 2016. We are honored to have been a part of the process. We look forward to seeing the designs you bring to life in the years to come.

You can learn more about ASH NYC at their website and on Instagram.

Lounge space before.

After.

The ASH NYC Team at Collective Design Fair 2016.

Introducing Our Limited Edition Reclaimed Belleview-Biltmore Heart Pine

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Installation in Focus: 'Stonewood Farm' private residence, New York

The Pleasures of Country Living

‘Only by letting nature in can we create a sense of coherence and kinship among house, landscape and environs. Only with that connection can a home be nurturing and invigorating.’ -Designer Ken Holzberg

When designer Ken Holzberg was ready to build his dream home at Stonewood Farm, near Millbrook, New York, the goal of his project was to create something new, while still retaining a sense of continuity with the past.

Describing his inspiration for the project, Ken writes, ‘Farmhouses and their outbuildings have always been thoughtfully tied to the land...they are made of honest, natural materials – typically what is locally available – further connecting them to their surroundings.’

When Ken approached The Hudson Company in search of the perfect materials for his project (reclaimed wood flooring, exposed beams, and vintage doors), we knew we were collaborating with an accomplished designer with an eye for detail. From hand picked cabinet hardware to custom-made light fixtures, Ken curated the perfect palette of materials and textures. ‘If I had to describe my style in one word, I would call it eclectic,’ writes Holzberg, ‘I love to take old, beautiful materials and objects from different eras and places – pieces that would never have otherwise known each other – and put them together to give them new life against the backdrop of an understatedly elegant room.’

perfectly imperfect: The Right Materials for home

Upon visiting The Hudson Company Mill, Ken was able to find flooring materials, exposed beams, and antique lumber that fit his precise vision. Choosing to incorporate 1,000 square feet of Reclaimed Hemlock floors, Reclaimed Softwood Beams [Original Face]. and an additional 3,000 square feet of Reclaimed Mixed Softwood [Threshing Floor] flooring - both sourced from historic farm buildings in the area - Ken was able to achieve the desired effect of a modern, informal home that is rich in historical character.

‘When all is said and done,’ writes Holzberg, ‘I think Stonewood’s interior spaces work so well for me because they are infinitely approachable...everything is perfectly imperfect...nothing is too precious to touch, eat at, or sit on. Everyone can feel welcome and comfortable in our home.’

This installation profile originally appeared in The Hudson Company Journal, Volume 1. To request a print copy of The Hudson Company Journal, please contact us at info@thehudsonco.com.

RECLAIMED MIXED SOFTWOODS [THRESHING FLOOR, BARLEY FINISH]

RECLAIMED HEMLOCK [MUSHROOM WOOD] FLOORING

RECLAIMED SOFTWOOD BEAMS [ORIGINAL FACE]

Same Expertise, Now Twice The Flooring Choices

Since 1995, The Hudson Company has been a leader in custom milled Reclaimed Wood Floors. Now, as a complement to our Reclaimed products, we are proud to introduce our Select Harvest line of custom milled, new flooring. Select Harvest flooring is available pre-finished and unfinished.

Browse Select Harvest Flooring Now

INSPIRED BY: AMEE ALLSOP

Binburra Beach House, Sydney.

Elegant Minimalism and Natural Style 

Australian Amee Allsop considers space, proportion, light and materiality when working with her clients. Her emphasis on quality materials and craftsmanship is key to creating a space that transcends time and trends. 

Based In New York, Amee designs in the spirit of Australian living by elevating the simple and beautiful essentials of a space and creating a minimal yet quality lifestyle. 

A great example of Amee's fulfilled but paired-back interior design can be seen in the Binburra Beach House in Sydney. Open spaces and broad windows fill Binburra house with natural light and highlight the custom wooden cabinetry and trim that are contrasted by concrete flooring and counters. Amee has also worked in commercial design in Chelsea, New York. 'The Kitchen is one of New York City's oldest nonprofit spaces, showing innovative work by emerging and established artists across disciplines.'

In the East Hampton, Red Dirt Road to be precise, a unique home that connects indoor and outdoor living partly in thanks to a large wrap around deck, a distinctive Australian home feature. This A-framed house was built in 1980 with good bones but needed a large gut renovation. A large skylight was inserted and a slot window in the master bedroom were added to capture natural light to flood the interior with. Amee used a palette of fresh whites with black hardware accents, subtle features reminiscent of the beach lifestyle.  Extra wide wood flooring softened the predominantly white interior and added a dose of organic material to soften the monochrome theme. 

There's lot's more of Amee's excellent work on her website. You can also follow her on Instagram.  For more on wood flooring get in touch with The Hudson Company. 

Australian designer Amee Allsop.

This Just In: Indiana Mill from 1901

Vintage Image of the Noblesville Milling Co. grain storage facility (date unknown).

The mill, 2016.

The mill, 2016.

an icon of the American Heartland

This week, The Hudson Company has been on the road - visiting the sites of several historic, decommissioned Midwestern agrarian structures, in search of high-quality, high-character American timber to reclaim. One of the most interesting finds this week has been 'The Model Mill' and grain elevator in Noblesville, Indiana (pictured above and below).

Built in 1901, the mill was an essential part of the economy in Hamilton County and, for over a century, the iconic structure has been both a physical and symbolic icon for Noblesville and the surrounding farming communities. The mill was originally built to hold 350,000 bushels of wheat, but the area's wheat yields were so plentiful that, by 1911, the facility was expanded to hold a capacity of 700,000 bushels. According to David Heighway, of The Hamilton County Business Magazine, the mill was built in a a style of construction called, "cribbing [wherein] boards are [simply] stacked and nailed together." A 1914 article in The Indianapolis Star took note of the Noblesville mill and elevators, remarking that, "These structures tower above the other buildings of the town and are admired by everyone passing through the city.”

700,000 Board Feet of Reclaimed Heart Pine

After changing ownership several times in the 1950s, 60s, and 70s, The Model Mill was eventually decommissioned and has sat abandoned for many years. In 2015, local officials decided that the historic mill and grain elevators would finally be taken down. 

Luckily, much of the mill's original construction material has been well-preserved and will be now be diverted from the waste stream and reclaimed by The Hudson Company. From Noblesville, the 700,000 board feet of Reclaimed Heart Pine will be transported to The Hudson Company Mill in Pine Plains, NY were it will be re-milled and added to our growing inventory of reclaimed wood flooring, paneling, beams and joists. 

The end result of this reclamation process will be 700,000 board feet of custom re-milled Reclaimed Heart Pine [New Face, Chalk Finish] flooring, like the flooring milled for and installed at New York's new Whitney Museum of Modern Art (completed in 2015). 

Click here to learn more about (or to schedule a visit to) The Hudson Company's FSC-Certified lumber mill in Pine Plains, New York.

Pristine American Heart Pine, reclaimed from Noblesville grain facility.

On the road in the American Heartland.

INSPIRED BY: FRAMA, COPENHAGEN

Frama Showroom, Copenhagen.

Frama's free-standing kitchen.

St. Paul's Apotek, home of Frama, Copenhagen

Frama CPH: crafting elegant, innovative, and classic forms

This week we are taking a good long look at the inspiring work of Copenhagen design house Frama.

Specializing in minimalist forms with a classical aesthetic, Frama is turning out some of the Scandinavian design world's most coveted stoneware, furniture, lights, and custom-built kitchens.

Located in Copenhagen's historic Nyboder neighborhood, the Frama showroom and offices occupy the lovingly preserved St. Paul's Apotek (a pharmacy from the 1800's that has saved much of its original woodwork and architectural elements, see above at right). Much of the Frama studio is painted in 'St. Paul's Blue,' their custom brand color, created in partnership with Jotun paint makers.

One of Frama's most exciting and ambitious innovations is their new line of custom-built kitchen designs (see above left). Unlike traditional kitchens, a Frama Kitchen is a completely free standing unit and is not permanently mounted to floor or walls. The Frama Kitchen's steel frame and steel box drawers are more like pieces of furniture within the kitchen environment than the traditionally built 'in-storage' style kitchen. 

In addition to their drool-inducing custom kitchens, the current Frama Collection contains furniture, accessories and lighting made from a variety of high-quality, high-character materials, including cork, wood, marble and metals. With their impecable eye for clean, modernist aesthetics and their appreciation of timeless materials, Frama is not only a 'brand to watch,' they are also a design house whose approach to creativity and craftsmanship are certain to inspire us at The Hudson Company for a long time to come.

See more from the Frama Collection here.

The 90 degree wall light by Frama.

Aj Otto Stoneware by Frama.

Frama Studio, Copenhagen, Denmark.

Photos courtesy of Frama and Kinfolk.